The Book of Mormon Cast
Book by Trey Parker, Robert Lopez and Matt StoneProducer:
Anne Garefino, Scott Rudin and Sonia Friedman ProductionsDirector
: Casey Nicholaw and Trey ParkerSongs by
: Music and Lyrics by Trey Parker, Robert Lopez and Matt StoneLighting
: Brian MacDevitt
Sound: Brian RonanDesign:
: Ann RothCast list:
KJ Hippensteel (Elder Price), Cody Jamison Strand (Elder Cunningham), Steven Webb (Elder McKinley), Richard Lloyd King (Mafala Hatimbi), Leanne Robinson (Nabulungi), Dean Maynard, Michael Moulton, Kelly Agbowu, Chanice Alexander-Burnett, Philip Catchpole, Nicholas Collier, Christopher Copeland, Brendan Cull, Joshua Da Costa, Joseph Davenport, Nicole Dennis, Jonathan Dudley, Myles Hart, Alex Lodge, Joshua Lovell, Rhianne-Louise McCaulsky, Nicholas McLean, David McMullan, David O’Reilly, Sackie Osakonor, Stephen Rolley, Scott Sutcliffe, Ngozi Ugoh, Anna Van Ruiten, Rodney Vubya, Tommy Wade-Smith, Harry Wright
The Book of Mormon Critics & Reviews
: *****Average press rating:
**** Review by:
If you follow proceedings in the entertainment arena, you may well know as much if not far more than I do about this much-anticipated show. 'The Book of Mormon' has already been in residence on Broadway for the past two years, where it has been a huge success, and advance publicity for the show means there can't be many people in the UK who do not know about it already.
Given the descriptive nature of the title, it is pretty clear that the show is about the religious group informally known as the Mormons, or more accurately the members of the Church of Jesus Christ of Latter-day Saints. The congregation of this church stretches across the globe thanks to missionary activities which form part of the required service of a male member of the church. So, many of us are accustomed to being hailed in the street or on our doorsteps by young men, mostly American, who are desperate to convert anyone and everyone to their faith.
The show begins at a Mormon missionary training centre where a group of squeaky-clean young men in their late teens is preparing to head off on their missions in various parts of the world. Elder Price (Gavin Creel) seems like the ideal young man to succeed in baptizing more than any other missionary on his two-year endeavor. He is eagerly anticipating being sent to Orlando, Florida, which has been his dream-destination since childhood. Elder Price has pin-up good looks and has all the attractive qualities to make him, well, popular. On the other hand, another of the trainees is neither as charming or good-looking as Elder Price. Elder Cunningham (wonderfully played by Jared Gertner) is rather overweight for his diminutive stature, and with his spectacles and curly mop of hair, hardly meets the manicured image of the other missionaries who all seem to have inherited identical Mormon genetics. Elder Cunningham cannot remember the basic sales patter which the missionaries are trained to deliver, and moreover has issues with telling the truth. Since the missionaries are sent off on their work in pairs and must never leave each others' sides, you can see where this set-up is heading. Yes, the supremely confident and smooth-operating Price is twinned with the unreliable and gawky Cunningham. Disaster seems imminent as the winner is teamed with a loser, and is more or less assured when the ill-matched pair is sent, not to Orlando as Price yearned, but to Africa. The results are more or less predictable, though there are some surprises.
Given that this is a satire directed against a particular religious group – who are still very much alive and preaching – this show might have attracted a whole string of legal actions, or at least a heated public exchange between the production team and the Mormons. But apparently not from what I can gather. The Mormons seem to have taken the show in their stride – which implies they see no threat and have, in avoiding a public row, preserved their dignity. But I don't really think they have much to worry about anyway. Sure, the show pokes fun at them and their beliefs. In particular, the actual 'Book of Mormon' is scoffed at because of the incredulous nature of its origins. However, we see Elders Price and Cunningham not just as Mormons, but as individual human beings who find themselves in an extraordinary situation. In a sense, we laugh with them almost as much, if not more, than laughing at them. The satirical nature of the show is certainly never vicious or unduly cruel, though I found the reference to everyone in Africa having AIDS just the wrong side of bad taste for my liking. But most of the audience laughed at that remark as well much else besides.
On the evening I caught the show the cast were word-perfect, the action was flawless and the orchestra was in great form. There was an almost audible buzz from the audience almost as soon as they entered the theatre and they seemed ready and willing to laugh, and they did, and very frequently at that. There was an instant standing ovation at the end which in my experience is fairly rare even with long-running and much-loved shows. And when I say a standing ovation, I am referring to the entire audience and not a few ardent fans who have already seen the show. And speaking of fans, I noticed that a couple of people in the front stalls seemed to have already taken the show to their hearts as they were dressed in the missionary uniform of white shirt, black tie and trousers, as well as a name badge. If that does not signify a hit, I am not sure what does – unless, of course, they were Mormon missionaries.
I had to fight my way through hoards of people trying to buy last-minute tickets and there were a few dubious characters outside the theatre trying to buy-up any spares. So, whatever I or any other critic might say about this musical, it seems like it will be hard to dislodge it for some considerable time. In fact, the show is very funny – not the funniest I have seen in the past few years, but certainly one of them and very near the top of the 'funniest' list. It is cleverly written and extremely well-produced, and the excellent, energetic performances give the impression that the cast are loving every minute of it. It is enormously enjoyable, and the laughs keep coming even when the story-line seems about to run out of steam. Like the contents of the Book of Mormon itself, this show could well end up being the stuff of legend.Note: This Review is from a preview performance.Book of Mormon Tickets
are now on sale.
"While acknowledging that it is often damnably clever and sharp, I find it hard to warm to the show...The Book of Mormon strikes me as a decadent and self-indulgent musical, and its mixture of satire and syrup ultimately proves repellent."Charles Spencer for Daily Telegraph
"I absolutely loved it...songs, though not especially memorable, have bounce and bite and color."Paul Taylor for The Independent
"I’m not sure its crude yet clever package is roll-in-the-aisles funny but it’s deliciously entertaining and there is certainly nothing like it in the West End."Julie Carpenter for The Daily Express
"Its satire is insistently US college-campus adolescent. I tired of it after ten minutes...This is a cowardly, coarse, cynical show, worth avoiding. Quentin Letts for The Daily Mail
" Indecently funny...The music...is generally jaunty and from time to time soars operatically, though only three or four of the tunes are really memorable.Henry Hitchings for Evening Standard
"A mildly amusing musical, with some knowingly parodic songs, that takes a few pot shots at religious credulity without ever questioning the need for belief. I had a perfectly pleasant time, but the idea that the show, which won nine Tony awards, is either daringly offensive or a Broadway breakthrough is pure codswallop...For all its rude words, this is essentially a safe, conservative show for middle America."Michael Billington for The Guardian
Coventry Street, London, W1D 6AS
VIEW SEATING PLAN
Access description: Slight slope into the box office foyer through double doors opening outwards on corner of Coventry and Whitcomb Street. Low The Prince of Wales Theatre is situated on Coventry Street in London’s West End, on the edge of Leicester Square opposite Planet Hollywood restaurant. It is a Grade Two listed building, originally opened in 1937. If you are arriving by car, you can be dropped off in Coventry Street by the main doors. There is an NCP car park at back of theatre, but please note that there is little in the way of on-street parking. The main entrance to the theatre has level access from street and the doors are pinned open 45 mins prior to a performance. As you enter through the main doors you will find yourself in the main foyer. There will be dedicated Access Host who will meet and greet patrons with access requirements upon arrival, andif requested, escort you through the theatre and to your seats.Tickets can be collected from the box office which is on the left of the foyer. There is a lift at the back of the foyer for access to the toilets and Delfont Bar. The Stalls can be accessed from Street level, and the Circle is approximately 70 stairs (6 flights) up. Staircases have highlights and handrails, and the foyer has hardwood flooring for wheelchairs. The seats on both levels are arranged in three blocks. In the stalls there are no steps, but the floor slopes down gently towards the stage. In the circle there are steps which are quite steep and thereis no hand rail.
Sound Amplification: Sennheiser infra-red system with 12 headsets available.
Guide Dogs: Guide dogs allowed into auditorium, alternatively staff are happy to dog-sit. Advance notice required.
Disabled Access: 3 wheelchair spaces available and wheelchair and scooter transfer spaces to designated aisle seats in the Stalls. Companions can sit beside them. Please check location of seats with Box Office.
Toilets: No steps to men's and women's in the Stalls and at the back of the Dress Circle.
Disabled Toilets: Adapted toilets off the Stalls